Courtauld and King’s College London get £250,000 to work out what AI means for art history
The Courtauld Institute has secured a five-year research funding programme worth £250,000 to investigate how artificial intelligence is changing the study, interpretation, and creation of art.
Funded by the Denise Coates Foundation, the initiative will support interdisciplinary research teams from the Courtauld and King’s College London, bringing together specialists in art history, conservation, technology, computing, engineering, and the humanities.
The Denise Coates Foundation Awards will distribute research grants over five years, building on the institutions’ decade-long strategic relationship. The programme aims to develop new approaches to questions at the intersection of art, technology, and society, while examining the cultural and ethical challenges raised by advances in artificial intelligence.
Researchers will explore how AI tools can be applied to art historical research, including the analysis of visual material on a larger scale. They will also investigate how artists have responded to disruptive technologies and how knowledge of art history can help shape fairer and more responsible digital futures.
Artificial intelligence is creating new opportunities to study images, artworks, and collections, but it is also raising questions about how images are produced, understood, and viewed. The technology challenges established ideas about originality, authenticity, and creativity, particularly as AI systems become increasingly capable of generating new images.
Art and historical images are already part of the datasets used to train machine-learning models. This places the work of artists and the study of art history within the development of AI itself, creating questions about the relationship between existing cultural material and computer-generated imagery.
The research programme will examine these connections while encouraging collaboration between disciplines that have traditionally approached images and technology from different perspectives.
By combining the Courtauld’s expertise in the history, conservation, curation, and business of art with King’s College London’s wider research capabilities, the awards are intended to support new methods of investigation and fresh ways of understanding visual culture.
The initiative will bring together researchers, conservators, historians, and data scientists, with opportunities to engage students and wider audiences. Its broader aim is to strengthen understanding of the role of art and artists as artificial intelligence continues to reshape how images are made, interpreted, and shared.
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