Black Sound London Calls for Fans’ Memories and Memorabilia

Black British music heritage is the focus of a new exhibition at Barbican Music Library, where visitors are being invited to contribute their own stories and memorabilia. As part of Black Sound London, fans can take part in two special Heritage Collection Days, on Saturday 14th June and Saturday 5th July, by bringing cherished items such as signed records, ticket stubs, or photos. These personal contributions will be 3D scanned and recorded to help preserve the everyday memories that have shaped the capital’s music scene over the past century.

Co-curated by respected music historian Lloyd Bradley and cultural curator Scott Leonard, Black Sound London is a deep dive into the capital’s Black music scene across the past century – from underground parties to pirate radio, and from DIY labels to headline stages.

During the Heritage Collection Days, visitors’ items will be 3D scanned and their memories recorded, creating a permanent archive that celebrates personal experiences and community history.

Bradley, the author of Bass Culture: When Reggae Was King and Sounds Like London: 100 Years of Black Music in the Capital, explained the importance of the project:

“Whether it’s an autograph on a bedroom wall or that moment of hearing your song on pirate radio, we want to see these items and hear these stories before they disappear forever.

These moments belong to the fans, not just the stars, and we’re helping people take ownership of their musical heritage.”

The exhibition is housed within the Barbican Music Library, part of the City of London Corporation’s cultural offering. It supports the Destination City initiative, which aims to drive footfall and reconnect Londoners with the City’s historic venues, especially on quieter weekdays.

Brendan Barns, Chairman of the City of London Corporation’s Culture, Heritage and Libraries Committee, said:

“Fans of British black music have a unique opportunity to contribute to cultural history. These stories and objects reflect not only the evolution of music but also the energy, identity and impact of communities across London.

Exhibitions like this help bring people back into the City, spark connection, and keep our shared heritage alive.”

The City of London Corporation remains one of the largest funders of culture and heritage in the UK, supporting institutions such as the Barbican Centre, Tower Bridge, Guildhall School of Music & Drama, and Keats House. It is also the principal funder of the London Symphony Orchestra.

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